" data-medium-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peeterscheesesalmondspretzels.jpg?w=300" data-large-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peeterscheesesalmondspretzels.jpg?w=940" />Clara Peeters (fl 1607-1621), tho Life v Cheeses, Almonds and Pretzels (c 1615), oil top top panel, 34.5 x 49.5 cm, Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague, The Netherlands. Wikimedia Commons.

You are watching: Clara peeters still life with fruit and flowers


The early on seventeenth century was a time of conflicting ideas. On the one hand, the Netherlands had gone into its golden Age, in i m sorry it to be the foremost maritime and economic strength in Europe, and enjoying rising living standards if no wealth. ~ above the various other hand, modern-day religious thought, which pervaded life, hosted that worldly goods, possessions, and also pursuits were futile and also empty: “vanity the vanities, all is vanity”.

It was additionally a world in which women had fairly rigidly-defined roles. Do the efforts to pursue a career as a mrs artist to be by no method impossible, however there were strictly limitations. Most constraining was the inability of ladies to discover to repaint the figure from life, which pretty well ruled out all the genres which involved painting people. So females in art were minimal to painting flowers, or still lifes, the least prestigious of the genres.

Clara Peeters was one of the ideal still life painters of any age. Us don’t even know when she to be born, but she appears to have actually trained in Antwerp, then gone after her career efficiently in the dutch Republic. She appears to have been globally successful by 1611, once at the very least four of her paints were sold to Spain. She last reliably-dated works are from 1621, although there are a few paintings which have actually been attributed to she from later.

No one to know whether she stopped painting once she married, or as soon as she died.

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" data-medium-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvenetianglassroemercandlestick.jpg?w=300" data-large-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvenetianglassroemercandlestick.jpg?w=940" class="size-full wp-image-23595" src="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvenetianglassroemercandlestick.jpg?w=940" alt="peetersvenetianglassroemercandlestick" srcset="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvenetianglassroemercandlestick.jpg?w=940 940w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvenetianglassroemercandlestick.jpg?w=150 150w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvenetianglassroemercandlestick.jpg?w=300 300w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvenetianglassroemercandlestick.jpg?w=768 768w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvenetianglassroemercandlestick.jpg?w=1024 1024w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvenetianglassroemercandlestick.jpg 1340w" sizes="(max-width: 940px) 100vw, 940px" />Clara Peeters (fl 1607-1621), tho Life v Venetian Glass, Roemer and a chandelier (1607), oil ~ above panel, 23.7 x 36.7 cm, place not known. Wikimedia Commons.Venetian Glass, Roemer and also a Candlestick (1607) is one of her earliest recognized works, which reflects an extraordinary skill in rendering the differed surfaces and their optical properties. It is additionally one that the first still life in i beg your pardon the artist has included their own image reflected in the motif, right here the base of the shall holder.

As in numerous still lifes, its materials have interesting symbolic meaning. The confectionery displayed is sweet and also ephemeral, the ring a sign of earthly riches and also temporal relationships, the paris an indicator the earthly decay, and the burning candle combine remembrance with the strict borders on expectation in this world. This is not simply a tho life, however an expression of vanitas, the futility and also limits of our earthly existence.

Her paintings from 1611 which ended up in the Spanish royal Collection, and are now in the Prado, leaving the stern moral message behind.

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" data-medium-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peetersmesa.jpg?w=300" data-large-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peetersmesa.jpg?w=940" class="size-full wp-image-22516" src="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peetersmesa.jpg?w=940" alt="peetersmesa" srcset="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peetersmesa.jpg?w=940 940w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peetersmesa.jpg?w=150 150w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peetersmesa.jpg?w=300 300w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peetersmesa.jpg?w=768 768w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peetersmesa.jpg?w=1024 1024w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peetersmesa.jpg 1373w" sizes="(max-width: 940px) 100vw, 940px" />Clara Peeters (c 1594-1640), Mesa (Table) (c 1611), oil top top panel, 55 x 73 cm, Museo Nacional del Prado, Madrid. Wikimedia Commons.
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" data-medium-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishcandlestick.jpg?w=300" data-large-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishcandlestick.jpg?w=940" class="size-full wp-image-23586" src="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishcandlestick.jpg?w=940" alt="peetersfishcandlestick" srcset="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishcandlestick.jpg?w=940 940w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishcandlestick.jpg?w=150 150w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishcandlestick.jpg?w=300 300w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishcandlestick.jpg?w=768 768w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishcandlestick.jpg?w=1024 1024w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishcandlestick.jpg 1526w" sizes="(max-width: 940px) 100vw, 940px" />Clara Peeters (fl 1607-1621), quiet Life that Fish and also a shall (1611), oil on panel, 50 x 72 cm, Museo Nacional del Prado, Madrid. Wikimedia Commons.
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In the last of these, Clara Peeters makes one more cameo appearance in the reflections, giving tantalising glimpses the herself.

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" data-medium-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcups.jpg?w=245" data-large-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcups.jpg?w=837" class="size-full wp-image-23589" src="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcups.jpg?w=940" alt="peetersflowersgoldcups" srcset="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcups.jpg?w=940 940w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcups.jpg?w=123 123w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcups.jpg?w=245 245w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcups.jpg?w=768 768w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcups.jpg?w=837 837w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcups.jpg 1081w" sizes="(max-width: 940px) 100vw, 940px" />Clara Peeters (fl 1607-1621), quiet Life with Flowers and also Gold cup of Honour (1612), oil top top oak, 59.5 x 49 cm, Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany. Wikimedia Commons.The adhering to year, she still life v Flowers and also Gold cups of Honour (1612) expose multiple miniature self-portraits reflected in the yellow cup in ~ the right. This are shown more plainly in the information below.

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" data-medium-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcupsd1.jpg?w=252" data-large-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcupsd1.jpg?w=861" class="size-full wp-image-23590" src="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcupsd1.jpg?w=940" alt="peetersflowersgoldcupsd1" srcset="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcupsd1.jpg?w=940 940w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcupsd1.jpg?w=126 126w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcupsd1.jpg?w=252 252w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcupsd1.jpg?w=768 768w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcupsd1.jpg?w=861 861w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersflowersgoldcupsd1.jpg 1276w" sizes="(max-width: 940px) 100vw, 940px" />Clara Peeters (fl 1607-1621), tho Life v Flowers and also Gold cups of Honour (detail) (1612), oil on oak, 59.5 x 49 cm, Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany. Wikimedia Commons.In she still life v Cheeses, Almonds and also Pretzels from around 1615, she surface and also optical rendering reaches the amazing, and all thoughts of vanitas room forgotten. This is a celebration event of the an extremely earthly sensuous pleasures that food. These room sustained in numerous of she other later on paintings, shown below.

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" data-medium-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peeterscheesetrayknife.jpg?w=300" data-large-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peeterscheesetrayknife.jpg?w=940" class="size-full wp-image-22515" src="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peeterscheesetrayknife.jpg?w=940" alt="peeterscheesetrayknife" srcset="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peeterscheesetrayknife.jpg?w=940 940w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peeterscheesetrayknife.jpg?w=150 150w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peeterscheesetrayknife.jpg?w=300 300w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peeterscheesetrayknife.jpg?w=768 768w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peeterscheesetrayknife.jpg?w=1024 1024w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/04/peeterscheesetrayknife.jpg 1600w" sizes="(max-width: 940px) 100vw, 940px" />Clara Peeters (c 1594-1640), Cheesestack v Knife, Shrimp, Crayfish, Glass of Wine and Bread (c 1625), oil on panel, 40.8 × 57.9 cm, place not known. Wikimedia Commons.
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" data-medium-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishshrimpoysters.jpeg?w=300" data-large-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishshrimpoysters.jpeg?w=940" class="size-full wp-image-23587" src="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishshrimpoysters.jpeg?w=940" alt="peetersfishshrimpoysters" srcset="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishshrimpoysters.jpeg?w=940 940w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishshrimpoysters.jpeg?w=150 150w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishshrimpoysters.jpeg?w=300 300w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishshrimpoysters.jpeg?w=768 768w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishshrimpoysters.jpeg?w=1024 1024w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfishshrimpoysters.jpeg 1675w" sizes="(max-width: 940px) 100vw, 940px" />Clara Peeters (fl 1607-1621), tho Life v Fish, Shrimp, Oysters and Crayfish (c 1612-21), oil top top oak panel, 37.7 x 49.9 cm, Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerp, Belgium. Image by Sandra Fauconnier, via Wikimedia Commons.
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She had actually not totally forgotten the spiritual dimension, though. 2 of she most amazing paintings return to the ide of vanitas.

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" data-medium-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfruitbirdsmonkey.jpg?w=300" data-large-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfruitbirdsmonkey.jpg?w=940" class="size-full wp-image-23592" src="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfruitbirdsmonkey.jpg?w=940" alt="peetersfruitbirdsmonkey" srcset="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfruitbirdsmonkey.jpg?w=940 940w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfruitbirdsmonkey.jpg?w=150 150w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfruitbirdsmonkey.jpg?w=300 300w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfruitbirdsmonkey.jpg?w=768 768w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfruitbirdsmonkey.jpg?w=1024 1024w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersfruitbirdsmonkey.jpg 1625w" sizes="(max-width: 940px) 100vw, 940px" />Clara Peeters (fl 1607-1621), tho Life of Fruit, Dead Birds and also a Monkey (1615-20), oil on panel, 47.4 x 65.6 cm, private collection. Wikimedia Commons.Her Fruit, Dead Birds and a Monkey (1615-20) reflects a an ext peculiar collection of objects: the grapes room covered v bloom, a peach is going rotten, and also there’s a paris on an apple. The small monkey, liven feeding from nuts, is gazing in ~ a tiny pile of dead birds. There room no glass or metal surfaces to show off Peeters’ painting an abilities either.

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" data-medium-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvanitas.jpg?w=300" data-large-file="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvanitas.jpg?w=940" class="size-full wp-image-23594" src="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvanitas.jpg?w=940" alt="peetersvanitas" srcset="https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvanitas.jpg?w=940 940w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvanitas.jpg?w=150 150w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvanitas.jpg?w=300 300w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvanitas.jpg?w=768 768w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvanitas.jpg?w=1024 1024w, https://tacoemojishirt.comdotcom.files.wordpress.com/2017/05/peetersvanitas.jpg 1404w" sizes="(max-width: 940px) 100vw, 940px" />Clara Peeters (fl 1607-1621), Vanitas Portrait the a mrs (Self-Portrait?) (c 1618), oil on panel, 37.2 x 50.2 cm, place not known. Wikimedia Commons.Finally, what we must assume is a Vanitas Portrait that a Woman, nearly certainly a self-portrait, from about 1618. The artist gazes into the distance, most likely a carefully-angled winter which she offered to watch her own reflection. She is approximately thirty year old, and prospering. Alongside her head is a bubble, a authorize that this is a vanitas painting.

In front of her, ~ above the table, space the components of a still life, including the goblet native Still Life with Flowers, Goblet and also Dainties (1611) above. In addition, there room the symbols of the vanitas: gold and silver coins, jewellery, a couple of dice, through their association with chance and also earthly pleasures such as gaming.

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It’s a tragedy the Clara Peeters was never ever able to try figurative painting. However these tho lifes room a reflection of she supreme skills as a painter, and tiny insight into the conflict of she time.